Strymon La Brea Tape Drive There's something about the way tape saturates that no digital algorithm has ever quite nailed — that soft, organic compression, the way transients round off just enough to feel *right*, the harmonic glue that makes everything sit together. Strymon's engineers have been chasing that feeling in the purely analog domain for years, and the La Brea Tape Drive is what happens when that obsession finally has somewhere to go. This one started with Strymon's own Deco pedal — specifically the Saturation voice that players fell in love with over a decade ago — and engineer Josh took Pete's original whitepaper on that design as a jumping-off point for years of deep research into how tape actually behaves. The result is a fully analog drive that doesn't borrow from digital tape modeling tricks. Every stage of the signal path is pure analog, running internally at 24V for the kind of headroom and quiet operation that lets you push the gain hard without the floor falling out from under you. The Tape Saturation control is where the personality lives. Set the Gain switch to its lower range and you're in territory that feels like a well-loved tape machine running just a touch hot — a little bloom on the attack, a subtle squish, some added warmth that makes single notes bloom and chords breathe. Flip the Gain switch up and the whole character shifts: the saturation thickens, harmonics stack up, and you can push all the way into full fuzz territory without losing the fundamentally musical, organic quality that makes tape-style drive so addictive. It never gets fizzy or brittle. Even when it's throwing flames, it sounds like something that was recorded rather than something that was clipped. The Shift switch adds real flexibility to the high-frequency response — one position gives you a dedicated HF boost for added sparkle and cut, while the other layers in extra midrange frequencies alongside it, fattening up the tone and keeping it present in a full band mix. That's the kind of control that lets you dial in a sound that actually works on a gig, not just in your bedroom. What really sets the La Brea apart from most drives is the fully variable Dry path. You can blend your clean signal in with the saturated signal, and critically, it's always in phase — so instead of fighting the saturation, the dry signal reinforces it. Crank the saturation and blend in some dry, and you get this huge, three-dimensional tone that stays articulate even when the gain is deep in the red. It's the kind of thing fingerstyle players, pedal steel players, and anyone who needs their notes to actually speak through heavy saturation will immediately appreciate. If you've ever loved what a well-biased reel-to-reel does to a guitar track, or if you've spent time with Deco's saturation side and wanted more range and control from it, the La Brea is going to feel like exactly what you didn't know you were missing. --- Specifications: - Brand: Strymon - Model: La Brea Tape Drive - Signal Path: Fully analog — no digital processing - Drive Type: Multi-stage tape saturation - Gain Switch: Sets the range of the Tape Saturation control (two positions) - Shift Switch: High-frequency boost / High-frequency + midrange boost - Dry Path: Fully variable, always in phase with wet signal - Internal Voltage: 24V (boosted internally for headroom and quiet operation) - Power Requirement: 9VDC, center-negative, 500mA minimum - SKU/UPC: Z120-LABR